Bon Jour – ‚Artificial Heart‘
Food For Thought – ‚Dojo‘
Laurenz Nikolaus – ‚Der Teufel tanzt im Volksgarten‘
EXEA – ‚Raw Emotions‘
Ferdinand – ‘DIABLO’
EXEA – ‘Carry You’
Luca Malina – ‘I Don’t Wanna Be So Slow’
Leftovers – ‘Es Geht Mir Gut’
Synesthetic IVO – ‘Hys’
Brian Nasty, Sofie Royer – ‘I Have So Much To Tell You’
Anna Buchegger – ‘Soiz’
AYGYUL – ‘Found’
Bon Jour – ‚Baby, Am I Delusional?‘
Luca Malina – ‘Sickish’
farmar – ‘Restless’
Brown-Eyes White Boy – ‘Andere Stadt’
Food For Thought – ‘Attraction’
Sofie Royer – ‘AUTO’
Ferdinand – ‘TECHNO BABY’
Leftovers – ‘GEKOMMEN UM ZU GEHEN’
Luca Malina – ‘r u still awake’
Bon Jour – ‘Lego’
Skofi – ‘Mitziehen’
Ferdinand – ‘BOILER ROOM’
BABYMONSTER – ‘HOT SAUCE’
Ferdinand – ‘DOWN FOR WHATEVER’
Mavi Pheonix – ‘Drama Cowboy’
Marlon Rando – ‘WWWEiRD’
farmar – ‘I Hate Waiting’
NNOA – ‘yacht club’
ABOUT
Maximilian Walch is a sound engineer and music producer based in Vienna – Austria, working across contemporary pop and experimental music. His work focuses on translating artistic intent – in close collaboration – into clear and deliberate sound. His background combines formal training with broad hands-on experience, shaping a versetile and technically grounded approach. He places equal weight on process and outcome, aiming to ultimately serve the music.
His work has been recognized with the Amadeus Austrian Music Award for Best Engineered Album (5K HD – High Performer & Bilderbuch – Mea Culpa), reflecting consistent focus on precision, restraint and respect for the artist’s creative vision.
Alongside his studio work, Maximilian teaches music production at University for Music and Performing Arts Vienna and composing and arrangement at FH Salzburg – rooted in exchange of practical knowledge and critical listening rather than dogma.
